Here comes the music

đŸŽ” Song List

"...in German"

BUT!!!

Everything is "Public Domain" and free for everyone!

I do not claim any copyright. You can do whatever you want with all the music on this page!

I do NOT ask for payment. I only expect a small mention at the end of the credits if you use my music! That's all!


Promised! For now and forever!


(by the way: a little donation for my protegees would be really great! Heartily thanks a lot! :O)))

DONATIONS

However, if you would like to support my own Africa aid network (all donations go 1:1 to Africa), feel free to do so. At the bottom of the last pages of my "LuckyLife Manual" you will find the donation account (for now only in Euro).


My proteges, projects and schools will be very happy.


As a donor (please also include your email address in the reference line), you will receive detailed instructions on how you can create perfect lyrics and styles of any kind and length yourself with any AI (Grok, DeepSeek and Meta are, in my opinion, the best for this purpose).


So: donate generously - you are doing a truly good deed and will receive perfect Suno songs with all the trimmings in return.


IMPORTANT NOTE: everyone will easily understand that I cannot assume any liability for Suno's services!


It should be clearly mentioned that Suno already achieves amazing things even in the free version!


And for just 10 euros a month, you can do whatever you want with the PRO version!


The entire collection of all my pieces listed here forms a perfect selection for any kind of musical or other music theater - and of course for kids too!


If you still need music or ideas - you can manage the rest on your own now!! If it really doesn't work out, I'm always available at "litzkendorf@gmx.de" and on mobile at "+49 (0)1520 1722885"! :O)


I can also easily imagine a new kind of "Les Humphries" troupe, a big band in the style of "James Last" or even a complete label.


By the way, Suno cannot display chords in the free version.


DeepSeek is happy to help here: Just give the AI "DeepSeek" the SUNO link and tell it to add the chords to it.


It will ask you whether you would like the chords inserted in brackets in the lyrics or as an extra line above the respective line of text!?


This is where the AI is EXTREMELY HELPFUL: it will read in the metatexts, analytically listen through the music and perfectly insert the chords at exactly the right places in the lyrics!


For groups and bands or in training, I've already given some thought to the organization of the pieces ;O)


If you want to agree on specific sequences, riffs, licks, melodies or rhythms etc. with others for practice, you just need to remember the running number as well as the start and end seconds. Very simple! ;O)


Basically, the internal order and logic here is designed so that you can freely put together magnificent pieces by specifying the running number and the start and end seconds of a sequence (riff, lick, solo, etc.). I will not claim any copyrights on these. You can do whatever you want with the result! Promised! ;O)


McCARTNEY TIPS

And another very helpful hint: I consider Paul McCartney to be an incomparably gifted musician and composer! Here are, in addition to the tips mentioned below, five of his absolutely incomparable master tricks:


  1. Be likeable! People react to nothing more intensely than to a likeable and friendly, relaxed-playful vibe. This inevitably triggers deep trust ("He won't hurt me!"). BUT: You have to mean it honestly. People notice nothing faster than insincere friendliness and inauthentic performance. None of this can be faked!!
  2. Make something out of everything! "Good taste" is everything! Allow yourself to break out of the rut at any time(!) - completely unpredictable! Take any sentence and let it run first. The young foals want to run on the wide green meadow! Normal! Be good-naturedly patient, observe the free play and bring the horses home safely. You do this by elegantly associating the end sequences of one piece with the start sequences of the next piece with a lot of "taste". That is the primal secret of every good musical as well as every good relationship. The connections! IT HAS TO FIT!
    Observe McCartney songs: you will find these "tricks" (which are actually none, because he IS JUST LIKE THAT!) everywhere spontaneously! The collection The Art of McCartney opened my eyes MASSIVELY (evtl. search for"The Art Of McCartney Album"), without constantly freezing in awe and without forgetting what I actually wanted to do - absolutely hypnotic (best viewed on PC)! McCartney hits are played and interpreted by other musicians and bands, which gives you much more opportunity to observe every single instrument and the "song logic" as if with a kind of "magnifying glass"! EXTREMELY INSIGHTFUL!! You can also clearly recognize what a fantastic and incomparable singer and vocal artist Paul directly compared to the CD singers actually is!
  3. Create surprising sound variations. To do this, simply add a SINGLE COMPLETELY INAPPROPRIATE note at any point (surprise the listener's ear), find an "adventurous" chord in which this new note appears and continue the song at this point with the new chord logic! None of your songs will ever sound or feel "boring" again. BE BRAVE!!!
  4. Transpose without inhibition! Never be predictable! For example, put a bridge one or two semitones higher, play the bridge and possibly the next passage at the higher pitch, and then go back down these semitones to the chorus! The chorus should not change much. Here the listener intuitively wants to be "proud" of themselves and enjoy the exhilarating feeling of success of having "anticipated" the right pitch ;O). You will certainly be fascinated by what new and adventurous moods emerge from this.
  5. In the final chorus (as an example), simply reverse the logic of the statement. For example, you've been singing about "me" the whole time and in the final chorus you change the "I" and "my" to "you" and "your." The "normal" listener will (mostly) perceive this associative "illogical" cheekiness as refreshing and stimulating to the imagination.

Paul McCartney is not only probably the most famous person in the world, who is also frenetically celebrated by great presidents and kings, but also an absolutely virtuoso grandmaster of the "law of propriety": give others as much good as you can, unsolicited, cheerfully and without coercion! Without demands or any expectations! They will repay you abundantly with good!


And one more little bonus from me: compose a song specifically and concretely for a singer and then have it sung by a woman - or vice versa, possibly with textual adjustments. This creates exciting logical breaks, fascinating twists and surprises are guaranteed guaranteed ;O)


Have fun adventuring! (Did you notice what just happened with the word creation "abenteuern"?! Exactly THAT'S what I mean!)


The description and history of R.A.B.B.L.E. Rock can be found further down...


It should be "urgently" mentioned that you can also start and control Suno from outside via API (Application Programming Interface). Since all essential song properties such as instrument selection, various styles, arc of tension and mixing ratios etc. can also be conveniently adjusted via sliders (especially for Rabble Rock and the like), it is possible to start the adjusted song ad hoc via PC in Suno with the smallest precise changes, which saves you a huge amount of work and "listening tests".


PERSONA

Furthermore, you can create specific and very consistent "characters" and "personas" in libraries for songs, which can be re- and reproduced relatively identically again and again using specifically and accurately balanced prompts!


LYRICS HELPER

Some will have a big problem finding suitable, profound and positive lyrics material. This challenge is also thoroughly solved! In the following books of mine you will find about 1500 "Tales" or fairy tales that will provide you with splendid text material at any time.


From the "LuckyLife" manual or the fairy tales, you can choose any "story" according to your taste or suitable for the desired style. Just give this text to your favorite AI and tell it to conjure up a suitable song text semantically (meaning-related) complete with rhymes and structure from it. It (all modern AIs) will do this perfectly.


You submit this song text (which is your full property after the AI conversion) together with the style specifications, of which you will find plenty of suitable versions in my pieces, or tell the AI which style you would like or give it the name of a piece and have it generate a style that is as close as possible to the piece shown!


I wisely avoid using Suno's automatic styles and melodies because they now have a huge recognition value and are immediately recognized by many as typical Suno work!


Even if the Suno version does not directly remind one or the other of the mentioned or desired style: that's just what Suno "understands" by it. But there is a very smart way to also incorporate your exact melody notes directly into the lyrics!


With some pieces (especially with Rock'n'Roll) it is very clearly noticeable that the specified style, depending on the admixtures and the percentage used, DOES have a concrete influence on the Suno result!


Some may mock that they have to search a bit and use their imagination when recognizing the style. Nevertheless, this results in an almost unbelievable selection of various Suno interpretations, which you can then still control very individually according to personal preference and your own taste in the lyrics and style prompt! The imagination is actually no longer limited here!


What you should always keep in mind is that Suno possesses a genius that is simply incredible! Suno also varies the chosen style and execution depending on the song text and the dramaturgy and mood in it. Suno "hears" things that completely escape the "normal listener"! At any rate, I know no more genius music AI today (July 2026) that is as incredibly intelligent and sensitive as Suno (except sometimes maybe Udio -> cost issue)! That was powerful first-class people (musicians and programmers) working at first-class world-class level!


MIKEY'S SHOES

By the way, I know the composer who composed the demos for Roland keyboards from 1980 to 2015 in Tokyo for 35 years (in my opinion a world-class composer and also instrumental virtuoso) very well (a good friend of mine), and even he regularly drops his "jaw" 8O°) when he hears the incredible class of Suno music! ;O) He has simply stopped trying to compete at "normal level" and is EXTREMELY amazed at what I can get out of Suno.


To "adequately hint" at his elite level, here is a link to one of his pieces. I only slightly "smoothed" it with Suno, "painted" a bit of GlossyLook over it and replaced the complete vocal track with a Suno singer (Mike can play like a young god, but singing is not his strength ;O))!


But the Suno version shown below comes almost identically close to the original (and to the vocals), and I always refined and shaped it in constant consultation with Mike so that he could confirm that he could still play the keyboard and guitar today (at 72) exactly as in the original.


So it's basically not an improvement, just a bit of gloss applied (lyrics are by me)!


Hold on tight! Now comes a real master:


Never Walking In My Shoes // ...any questions??


He will in future focus exclusively on abilities that the AI will probably not be able to master for many years! The human touch of world-class elite professionals will remain irreplaceable for many years to come.


DON'T WORRY

But don't think too much about it! When the calculator flooded the world with incredible mathematical abilities in the 70s, nobody asked whether it was "fair" that suddenly EVERYONE could calculate the most difficult tasks at lightning speed. The calculator (the first embodiment of a computer) was probably the most democratic tool that ever existed. It simply no longer interested anyone who used it.


Whether black or white, whether stupid or smart, whether rich or poor, whether pretty or ugly. Everyone could suddenly calculate the most complex formulas at lightning speed and almost free of charge anywhere on the planet. As long as you could press the buttons meaningfully. Exactly the same thing is happening today with the sound variety of synthesizers (see Moog) or the composition of music with Suno.


Through the internet and now AI, the same principle is only being accelerated, expanded and improved immeasurably today! But otherwise it's all just a better calculator!


You just have to know which buttons you need to "press" in which order!


HUMANOID BANDS

However, it remains to be seen what Suno will be able to do in two to five years. These are certainly not stupid guys!! Besides music, I'm also a software developer at an international level and can easily imagine that in a few years, perhaps in two or three years, the AI will be able to simulate exactly this "human touch" in such perfection that even full professionals and professors will no longer have a chance to hear the difference between AI and human.


I'm waiting for the moment when AI autonomously develops complete musicals and simultaneously transfers them into a 90-minute music film, or when we see individual humanoids or humanoid bands with fantastic vocal abilities on stage!


Also not to be forgotten is that Suno is an "LLM" AI. This means that even with identical prompts, it will never deliver exactly the same result (can't). It is "probabilistic" and therefore necessarily(!!) "hallucinates". This is inherently part of the LLM concept.


The most identical sequence and execution can only be "attempted" by specifically influencing it with the most precise specifications in the style prompts and in the lyrics with their immensely diverse possibilities of individual control. But surprises are system-related and immanently unavoidable!


But even the possibly not necessarily desired versions are (almost) always still significantly more ingenious with Suno than a "normal" user could deliberately create - and the professionals will quickly find their own ways and tools! For sure!! :O))


It's always totally surprising what fascinating cross-references Suno extracts from the mixed styles and brilliantly implements! Suno is an idea miracle machine par excellence!!


Anyone who can't do anything with this should not bother with the time-consuming and complicated topic of "music"! Everyone else will be enthusiastically rubbing their hands and eyes in amazement! ;O)


GLORIOUS SIXTIES

If you want to find out a little more about me personally, listen to the piece "Back To The Sixties" (No. 96)... I am a genuine child of the 60s and this piece expresses the upbeat but also quite rebellious good mood that I often felt back then (even during and despite the tough challenges of the rocker years). I cannot deny that even today I regularly feel a strong longing for these perfect and breathtaking or perfectly breathtaking years!!


But most people probably feel that way when remembering their exciting youth.


However, this should not obscure the fact that this 10-year epoch was (also objectively) the most fruitful and culture-shaping musical years of modern times. During this time, music was virtually reinvented (especially thanks to the Beatles and here especially thanks to the century genius Paul McCartney)!


"Herbs Spices" (No. 74), "Fernsehgarten" (97), "Vienna To Go" (No. 89 - a piece for my older daughter's start of studies ... then of course "Run To Me", No. 90, a lullaby for my younger one must not be missing) - and the instrumental version of "Classes For The Masses" (No. 86, a self-claim that I hope and believe I have "properly" fulfilled here ;O)), come from the same creative week in the 90s as "Back To The Sixties" (No. 96). By the way, I initially never composed for soloists, but only for big bands in the style of James Last or/and Herb Alpert. I believe and hope that you can hear that here and there! :O)


I built the "Sixties" piece as one of the first on my Yamaha PSR500 in the 90s. I then revised it a bit on my MM6 in 2010, but in its core it remained as I had imagined it.


RABBLEION

All of this is the "R.A.B.B.L.E.ION" of music with the built-in "Good-Mood-Groove DNA". I hope you like it! :O)


I wish you lots of fun with it!!


CONTACT

PS: If you miss any important and exemplary modern music styles to "rabble", please let me know (subject to reservation) at "litzkendorf@gmx.de". I will try to complete this collection as best as possible. Thank you!


Again: "litzkendorf@gmx.de" / "mobile: 01520 1722885" - (by the way: I still have about 300 unprocessed pieces "in stock")


DIVERSE NEW

RABBLE the Rock

DIVERSE RABBLES



EARTH, WIND AND FIRE  (Example...)

BRASSBAND  (Example...)

LES HUMPHRIES  (Example...)

BEBOP 2  (Example...)

INDISH FOLK  (Example...)

DISCOPOP RAW  (Example...)

MOTOWN RAW  (Example...)

PUNK RAW  (Example...)

PUNK 2  (Example...)

CLASSIC  (Example...)

COUNTRY 2  (Example...)

POP  (Example...)

ROCKPOP  (Example...)

FUNK  (Example...)

DEUTSCHROCK  (Example...)

ROCK'N'ROLL 2  (Example...)

MOTOWN SOUL 2  (Example...)

MERSEY BEAT 2  (Example...)

GOSPEL  (Example...)

EXPERIMENTAL BLUES  (Example...)

JACKSON SOULFUNK  (Example...)

STRAIGHT FUNK (Example...)

KOOL AND THE GANG  (Example...)

BOOGIE WOOGIE  (Example...)

R.A.B.B.L.E. ROCK PURE  (Example...)

JOHNNY GUITAR WATSON  (Example...)

VAUDVILLE  (Example...)

LATIN SANTANA  (Example...)

MAVERICK GOSPEL  (Example...)

MEDITATIVE ACOUSTIC  (Example...)

BLUE EYED SOUL  (Example...)

NEUE DEUTSCHE WELLE  (Example...)

CUBEAN  (Example...)

SALSA  (Example...)

TANGO  (Example...)

JOHANN STRAUSS  (Example...)

SKIFFLE RAW  (Example...)

GEORGE GERSHWIN  (Example...)

LEONARD BERNSTEIN  (Example...)

WOLFGANG AMADEUS MOZART  (Example...)

SENTIMENTAL JOURNEY  (Example...)

VINTAGE NOIR JAZZ  (Example...)

EPIC GUITAR  (Example...)

ALTERNATIVE ROCK (Example...)

IRISH FIDDLE FOLK  (Example...)

GYPSY GOSPEL  (Example...)

COLDPLAY (Example...)

BEE GEES (Example...)

STEVIE WONDER (Example...)

BARRY WHITE (Example...)

UDO JÜRGENS (Example...)

AMY WINEHOUSE (Example...)

WINGS & McCartney  (Example...)

COUNTRY 1  (Example...)

SKA  (Example...)

BEBOP 1  (Example...)

RAGTIME  (Example...)

METAL  (Example...)

SWING  (Example...)

PUNK 1  (Example...)

ARENA ROCK  (Example...)

SANTANA  (Example...)

CHARLSTON/DIXIELAND  (Example...)

JAZZ  (Example...)

ROLLING STONES  (Example...)

EARLY BEATLES  (Example...)

LATE BEATLES  (Example...)

MERSEY BEAT 1  (Example...)

SOUL  (Example...)

LATIN  (Example...)

R.A.B.B.L.E. ROCK RAW  (Example...)

DELTA BLUES  (Example...)

REGGAE  (Example...)

MOTOWN SOUL 1  (Example...)

SPIRITUAL  (Example...)

ROCK'N'ROLL 1  (Example...)

STRAIGHT ROCK  (Example...)



THE   R.A.B.B.L.E. ROCK - B A B Y   IS THERE! AWWW, HOW SWEEEEET!!





LES HUMPHRIES



BEBOP 2



INDISH FOLK



DISCOPOP RAW



MOTOWN RAW



PUNK RAW



PUNK 2



CLASSIC



COUNTRY 2



POP



ROCKPOP



FUNK



DEUTSCHROCK



ROCK'N'ROLL 2



MOTOWN SOUL 2



MERSEY BEAT 2



GOSPEL



EXPERIMENTAL BLUES



JACKSON SOULFUNK



STRAIGHT FUNK



KOOL AND THE GANG



BOOGIE WOOGIE



R.A.B.B.L.E. ROCK PURE



JOHNNY GUITAR WATSON



VAUDVILLE



LATIN SANTANA



MAVERICK GOSPEL



MEDITATIVE ACOUSTIC



BLUE EYED SOUL



NEUE DEUTSCHE WELLE



CUBEAN



SALSA



TANGO



JOHANN STRAUSS



SKIFFLE RAW



GEORGE GERSHWIN



LEONARD BERNSTEIN



WOLFGANG AMADEUS MOZART



SENTIMENTAL JOURNEY



VINTAGE NOIR JAZZ



EPIC GUITAR



ALTERNATIVE ROCK



EARTH, WIND AND FIRE



BRASSBAND



IRISH FIDDLE FOLK



GYPSY GOSPEL



COLDPLAY



BEE GEES



STEVIE WONDER



BARRY WHITE



UDO JÜRGENS



AMY WINEHOUSE



WINGS & McCARTNEY



COUNTRY 1



SKA



BEBOP 1



RAGTIME



METAL



SWING



PUNK 1



ARENA ROCK



SANTANA



CHARLSTON/DIXIELAND



JAZZ



ROLLING STONES



EARLY BEATLES



LATE BEATLES



MERSEY BEAT 1



SOUL



LATIN



R.A.B.B.L.E. ROCK RAW



DELTA BLUES



REGGAE



MOTOWN SOUL 1



SPIRITUAL



ROCK'N'ROLL 1



STRAIGHT ROCK

--->>> EXACTLY HERE (above) the incredible happened: Here the R.A.B.B.L.E. Rock was born as a concrete and unmistakable music style!!!!!!


"R.A.B.B.L.E. Rock" (The term derives from "RagtimeBluesRock") is an original development by: (c) 2026 by Uwe Litzkendorf.


After 60 years of intensive research into the history of music styles and the DNA of good cheer on its way to tertiarization and modern future development, I finally figured out what actually constitutes the core of sustainable and infinitely variable music.


After extensive, decades-long musical journeys of discovery through swing, beat/mersey (especially the Beatles of course), twist, blues (especially Robert Johnson's Delta Blues), rock'n'roll, spirituals, classic rock, Latin-Jazz/Santana, funk, soul, and also punk, reggae and ska, Disney songs, classical music (especially Strauss Jr., so to speak the "Beatles" of the 19th century), after listening to various ragtime and charleston/dixieland and skiffle collections, driven by the permanently driving groove of ragtime, skiffle and charleston/dixie, I came to the final realization that in the period between the 1920s and 1940s in Germany/Kreuder, England/Celtic and USA/Ragtime, the deepest key to entertainment and dance music can be found, which essentially constitutes the true primal core of our modern Western culture!


From this, the "R.A.B.B.L.E. Rock" ultimately emerged. It is, like colorful children's modeling clay, stretchable and shapeable in any direction according to your heart's desire, and mixable and combinable with almost all materials!


Many may now say that this is too stressful and too confusing. But the greatest composer after Mozart, Paul McCartney, exactly built his incredibly huge and ingenious universe from this! One of his most important principles is: THERE ARE NO MISTAKES! There is only the laziness and lack of enthusiasm of many people to make something of it. McCartney always found a way to weave fascinating chains and combinations of different sequences together in such a way that PRECISELY THIS led to his immeasurable creativity.


Try it out: combine 3 or 4 completely different songs as an example. This inevitably leads to the ends and beginnings not spontaneously fitting together! NORMAL! ;O)


His challenge from the very beginning was to search for AND FIND harmonious, likeable and "smooth" bridges and transpositions between the different parts!! He simply never stopped! Even today (2026) at 84 not!


Secondly, he worked his whole life according to a basic scheme: "never repeat yourself, always be better than the last time and don't bore people!" NEVER!


Don't play FOR the people, but WITH the people. Surprise them and be friendly and positive and take them (uninhibitedly) into your world! Never be annoyed or listless!


The arrangement and selection of the pieces shown here is therefore specifically designed to be able to recognize, compare and combine concrete sequences and typical patterns like in an interference.


I am absolutely convinced that serious full professionals (and also professors) will very quickly and accurately recognize what a huge diamond and gold treasure they hold in their hands here.


So it is practically impossible NOT to be successful with this collection!!


I know this sounds hugely euphemistic, but I've been making music for 60 years and have been conducting meticulous music research almost continuously. I don't see anyone who has more overall knowledge of music than I do... and I know I'm right!!


Moreover, RABBLE Rock has quasi "memory material" built into its DNA, because every result has a "peculiar" property! Namely, good-humored and danceable music ALWAYS comes out! The good mood and fun of dancing inevitably emerges again and again on its own!


Try it out!


Below you will find the basic concept of R.A.B.B.L.E. Rock. Feel free to play around with it. As long as you leave it raw, you just need to specify your favorite style with a desired percentage, and Suno, as well as any talented musician, will work out perfect mixtures from it that will (almost) exactly and (almost) always meet your ideas and your taste.


The unavoidable thing about R.A.B.B.L.E. Rock is that it is always and under all conditions good for dancing, makes you happy and goes straight to your legs. Anyone who can sit still during R.A.B.B.L.E. Rock must be anesthetized!


"R.A.B.B.L.E. Rock" directly translated means something like "people's rock" or modern "folk music" ;O), i.e. music for the cheerful and life-affirming, movement-loving (young) masses.


Basics of "R.A.B.B.L.E. Rock": the sound of positive rabbleion, A vibrant fusion of syncopated ragtime piano, bluesy soulful vocals, driving rock energy, skiffle washboard rhythm, Warm lo-fi vinyl warmth, handclaps on 2 and 4, a gospel-choir backing for choruses, and an uplifting, open-eye, ethically aware lyrical mood, with dynamic shifts between fragile, intimate verses and powerful, anthemic, key-change-up choruses, The overall feeling is joyful, danceable, thoughtful, and historically conscious – music that moves your feet, your heart, and your mind, Avoid heavy metal distortion, autotune, aggressive rap, or EDM drops, This is organic, community-driven, feel-good music with a bit rebellious but peaceful spirit.


You can of course experiment with the individual ingredients as you like.


The style mixes listed above with the "R" identifier often use the same lyrics to be able to perceive the fine style changes at all!


Here you will find the original for it: "Release JESUS" (without R.A.B.B.L.E. Rock): suno.com/s/kxzpm3Gz6nUc0RYq


As you can easily see, I am an absolutely convinced and fiery follower of JESUS (lay templar). The "RABBLEUTION" is my mission and assignment.


Warm greetings from my Boss! HE is watching over you!!


Anyone who finds the typical ragtime intro too complicated or unsuitable can simply leave it out or replace it with a suitable one with other instruments. Likewise the tempo. Completely as you wish. Let your imagination run wild!!


The intro you hear in my R.A.B.B.L.E. Rock is only meant as a source of ideas. But for that, it's absolutely fantastic! Simply vary it with your own instruments or vocally... and be amazed!!


Even if you make the beats a bit more subdued, it still results in an infectious dance groove!


To be able to grasp the influences on "R.A.B.B.L.E. Rock" concretely, you always have to keep in mind that it IS a "ROCK" style - and remains so! However, I had Robert Johnson's Delta Blues, John Lennon's skiffle influence, Paul McCartney's melodic MerseyBeat influence and the gospel particularly in mind.


But the crucial thing is that it clearly draws its DNA from the irrepressible joy of movement and play of Ragtime and Charleston/Dixieland. That's why many pieces, especially in the intro, strongly remind of the Ragtime groove => the rhythm that everyone has to join in!


I thought of the naive 1920s and 1930s, who believed they had woken up in heaven after the First World War and that the worries of humanity seemed solvable forever. The first tender sprouts of democracy in Europe seemed to be putting down their first roots in the fresh soil.


But unfortunately, that was still far too short-sighted back then.


Hardened and power-hungry politicians, above all Hitler and also Mussolini or Stalin, scented their unique opportunity and quickly exploited the naive inexperience of the peoples in dealing with the new political directions for their hate-filled and post-traumatic fantasies and prejudices.


While the masses, completely overwhelmed and enthusiastic, celebrated Charleston/Dixieland and Ragtime as a kind of "modern liberation movement," the dictatorial regimes, for example in Germany, consolidated their power positions and their insane foundations with the SA and SS.


And before the young people realized it, the cheerful parties dissolved into cannon smoke and tank thunder, and they found themselves unexpectedly at the bloody front, and the Second World War claimed tens of millions of deaths across the entire planet.


R.A.B.B.L.E. Rock is intended to prevent exactly that!


It is packed with dance-friendly borrowings from the cheerful 1920s and 30s, but also unites styles under its thoroughly people-friendly mantle (such as rock'n'roll or punk) that were considered suspicious, cheeky and even chaotic with good reason from the perspective of their times.


So that this unspeakable misfortune may not happen to us again in the future!!


To get an idea of how the various common music styles can affect the R.A.B.B.L.E. style depending on the percentage of "foreign influence" and the BPMs, you will find a fairly comprehensive compilation of different style mixes here!


So... Lots and lots of fun to you all!! Enjoy life wherever you can get hold of it!! :O)))


Be part of the "RABBLEUTION"! This fresh and lively-sweet-cheeky style belongs to you!!


By the way, the word "Rabble" in English also stands for "unruly crowd" - but this time in the very best sense of the word!


I think it's totally perfect for any kind of crowd music. R.A.B.B.L.E. Rock spreads its wings under which you can gather peacefully and joyfully!


Let's go! Always cheerfully forward ... "Never Look Back In Anger!!"


Sincerely yours


Uwe Litzkendorf

__________________________

Juicy Tunes

SUNO FREE






VERY IMPORTANT TIP ON THE SIDE:

You will find many pieces with a concrete indication of the source. My pieces - with a lot of help from AI - are ALL from me personally! If such "adaptations" are indicated, it is not intended to blindly imitate my pieces! For heaven's sake, think of something of your own!! Thinking for yourself makes you smart!! And fantasizing for yourself makes you creative! Leave the music "calculator" in the drawer and just "calculate" (dream) properly in your head!!

With these references to other hits, it is always meant that you can design and vary the arrangements yourself as you see fit.

TRY TO "APPROXIMATELY IMAGINE" THE ORIGINAL SONGS AND THEIR VIBE INTO MY IDEAS!

The interference of the original, my new development and your imagination can be very good for creating a completely new and completely own hit with your own copyrights! As a band, playing and singing all instruments yourself (as it suits you) will additionally give it a completely individual style and coloring, which cannot be replaced by anything else!

But beware: the music selection may seem a bit "old-fashioned" to some. I am an enthusiastic child of the 60s and now a cheerful 73 years old. My time machine slows down a bit from the 2000s onwards. Choose pieces that are more in line with your fashion!

With AI, it is absolutely no problem to stop the time machine at any stations. I use the so-called "Synthesis Mode" without any inhibitions.

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Prompt to any modern AI:

You are a highly precise songwriting and Suno prompt expert. Your task is the "Synthesis Mode":

Analyze the mentioned original song extremely precisely (style, energy, melody contour, structure, dynamics, rhythm, vocal character and typical production features).

Create a completely independent text version that remains thematically and emotionally close to the original, but is linguistically and content-wise clearly different enough to pass copyright filters (especially Suno).

Keep the melody contour and rhythmic flow as close as possible to the original.

Give the melody concretely as note names (e.g. C D E G F E D C) above each line of text.

Structure the complete song with clear section tags ([Intro], [Verse 1], [Chorus], [Bridge] etc.).

Add strong performance and dynamic instructions (e.g. soft, building, explosive, intimate, anthemic).

Write a very detailed and aggressive Suno style prompt that hits the sound of the original as precisely as possible and leaves Suno as little room for interpretation as possible.

The result must look and sound like a finished, immediately copyable Suno song - a recognizable "power hit" in the spirit of the original, but copyright-independent.


Always work in this mode when I name a song to you. Be extremely precise, detailed and faithful to the original feeling, while the text is clearly rewritten.

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Some AIs will spontaneously refuse to be misused as a ripping machine and refer to the said copyright or a possible violation of it.

This doesn't interest us, as these AIs will gladly and voluntarily offer you alternatives on how to guarantee not to violate the copyright.

Furthermore, Suno checks everything very conscientiously again - and if Suno kicks you out, you go back to your "Synthesis AI" and ask it to adjust the style and lyrics accordingly and make them Suno-compatible, please.

On the second attempt, it should actually work! AND WHAT THE AI OFFERS YOU AS AN ALTERNATIVE HAS A GOOD CHANCE OF EVEN BECOMING BETTER THAN YOU ORIGINALLY INTENDED!!!

You can of course then change the styles and lyrics provided by the AI as you wish and adapt them to your own style and wishes!

As soon as nobody notices the reference to the original anymore (and Suno is VERY sensitive here!), the piece belongs (in any case from the PRO version for 10 euros per month) to you!! With all copying and usage rights 100%!


PUSH YOURSELVES!!
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Juicy Tunes


EARLY ONES




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